TikTok’s Ole Obermann discusses the ‘Add To Music App’ feature, ticketing, Tate McRae, subscriptions, delivering revenue, where the company will be in five years and much more
Super-producer Tay Keith on working with Drake and Travis Scott, building a business empire - and why he might just retire from the game and take up teaching when he hits 50
Having celebrated 25 years in business last year, Insanity enters its second quarter century more diversified and successful than ever. Founder Andy Varley reflects on the story to date, explains the current strategy and gives a glimpse of the future…
UK producer Lostboy (AKA Pete Rycroft) has never been more in demand. But the two huge hits that put his number on speed dial in some of the industry's most important phones is only a small part of his story so far...
Believe UK Managing Director Alex Kennedy discusses the company’s success, philosophy and potential, its signing strategy, acquisition plans and hit ratios…
Glen Ballard discusses co-writing Jagged Little Pill, working with Michael Jackson, how AI is 'the ultimate threat to every writer in the world' and much more...
Perry Farrell's co-manager, Michael James, talks about working with an alt-rock pioneer and the cultural impact of his client's bands and projects, from Jane's Addiction to Lollapalooza
For 20 years at BMG and Universal, Rob Wells was the music industry’s go-to digital guru. Then he quit. After enduring a ‘trainwreck’ at Crowdmix, he’s now back as CEO of fast-growing rights management company Orfium...
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Boy (George Merrill) Meets Girl (Shannon Rubicam) discuss writing 1980s mega-hits How Will I Know and I Wanna Dance With Somebody, their experience as artists, divorce, trust and rediscovering their passion for writing...